BOOKS & ART CATALOGS

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The Criminal Crowd and Other Writings by Scipio Sighele
Edited, with an Introduction and Notes by Nicoletta Pireddu. Translated by Nicoletta Pireddu and Andrew Robbins. With a Foreword by Tom Huhn. University of Toronto Press (forthcoming)

Light & Fog: The Paintings of Karen Barth
Karen Barth Archive (2016)

Max Gimblett: The Sound of One Hand: Calligraphy Practice 1967-2014 (255MB)
Charta (March 24, 2015)

Between Picture & Viewer: The Image in Contemporary Painting
Visual Arts Press; School of Visual Arts, 2010

Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant
EPUB Download Penn State Press: Literature and Philosophy series, 2004

The Cambridge Companion to Adorno
Editor and contributor; Cambridge University Press, 2004

The Semblance of Subjectivity: Essays in Adorno's Aesthetic Theory
Co-editor and contributor; MIT Press: Studies in Contemporary German Social Thought, 1997

The Wake of Art: Criticism, Philosophy, and the Ends of Taste
Essays by Arthur C. Danto; Selected and with a Critical Introduction by Gregg Horowitz and Tom Huhn; Gordon & Breach [now Routledge], 1998

ARTICLES

"The Enigma of Experience; Art and Truth Content"
Discipline Filosofiche, Vol. XXVI, No. 2 (2016): 61-77

"Adorno and the Big Chill"
Adorno and the Concept of Genocide, Brill, 2016

"Aesthetic Education, Human Capacity, Freedom"
The Aesthetic Ground of Critical Theory: New Readings of Benjamin and Adorno, 2015

"Photography and the Future"
Vision Anew: The Lens and Screen Arts, 2015

"Seeing French" The Visual World of French Theory by Sarah Wilson
Figurations in Art in America, June/July 2011

“What to Look For: The Struggle for Photographic Vision”
Making Sky: A Monograph with Catalogue Raisonné, Aris Kalaizis (2009): 59-63

“Heidegger, Adorno, and Mimesis”
Dialogue and Universalism, Vol. XIII, No. 11-12 (2003): 43-52

“Reflection and Pleasure in the Aesthetics of Marx Wartofsky”
Constructivism and Practice: Toward a Historical Epistemology, edited by Carol Gould (Rowman & Littlefield, 2003): 181-186

“Burke’s Sympathy for Taste”
Eighteenth-Century Studies, Vol. 35, No. 3 (2002): 379-393

“A Modern Critique of Modernism: Lukács, Greenberg, and Ideology”
Constellations, Vol. 7, No. 2 (2000): 178-196

“The Anatomy of Beauty”
A Parliament of Minds: Philosophy for a New Millennium, edited by Michael Tobias, et al. (SUNY Press, 2000): 232-245

“Lukács and the Essay Form"
New German Critique, No. 78 (1999): 183-192

“Adorno and Kant”
The Encyclopedia of Aesthetics, vol. 1 (Oxford University Press, 1998): 29-32

“Kant, Adorno, and the Social Opacity of the Aesthetic”
The Semblance of Subjectivity, (MIT Press, 1997): 237-257

“A Lack of Feeling in Kant: Response to Patricia Matthews”
Journal of Aesthetics and Art Criticism, Vol. 55, No. 1 (1997): 57-58

"The Movement of Mimesis: Heidegger's `Origin of the Work of Art’ in Relation to Adorno and Lyotard"
Philosophy & Social Criticism, Vol. 22, No. 4 (1996): 45-69

“(A) History of New Abstract Painting: Toward a Theory of Domestic Abstraction”
with Georgia Marsh, Art Criticism, Vol. 11, No. 1 (1996): 55-61

"The Kantian Sublime and the Nostalgia for Violence"
Journal of Aesthetics and Art Criticism,Vol. LIII, No. 3 (1995): 269-275

"The Concept of Sublimation in Adorno's Aesthetics"
The Aesthetics of the Critical Theorists, edited by Ronald Roblin (Edwin Mellen Press, 1990): 291-307

"The Postmodern Return, with a Vengeance, of the Master Subject"
Postmodernism/Jameson/Critique, edited by Douglas Kellner (Maisonneuve Press, 1989): 228-248

"Jameson and Habermas"
Telos, No. 75 (1988): 103-123

"Diligence and Industry, Adorno and the Ugly"
Canadian Journal of Political and Social Theory, Vol. 12, No. 3 (1988): 136-146

"Adorno's Aesthetics of Illusion"
Journal of Aesthetics and Art Criticism, Vol. XLIV, No. 2 (1985): 181-189

"Performance Art as Politicized Epistemology"
Art & Text, No. 11 (1983): 54-61

DISSERTATION

"Adorno's Aesthetic Theory and its Relation to Social Theory"

TRANSLATIONS

"Concept, Image, Name: On Adorno's Utopia of Knowledge"
Rolf Tiedemann. With Ellen Anderson. In The Semblance of Subjectivity, MIT Press, 1997

BOOK REVIEWS

Gerhard Richter, Afterness: Figures of Following in Modern Thought and Aesthetics
Philosophical Review, March 2012

Luigi Fassi, et al. (eds.): Time Out of Joint: Recall and Evocation in Recent Art in The Art Book
Vol. 17, No. 4 (2010)

Joseph D. Ketner II: Andy Warhol: The Last Decade in The Art Book
Vol. 17, No. 3 (2010)

Terry Pinkard: The Legacy of Idealism and Robert Pippin: The Persistence of Subjectivity: On the Kantian Aftermath in Philosophy and Literature
Vol 32, No. 2, October 2008

Eva Geulen, The End of Art: Readings in a Rumor after Hegel, James McFarland (trans.)
Philosophical Review, March 2007

Dave Beech and John Roberts: The Philistine Controversy in Oxford Art Journal
Vol. 27, No. 2 (2004)

Max Paddison: Adorno, Modernism and Mass Culture; Essays on Critical Theory and Music in the British Journal of Aesthetics
Vol. 38, No. 2 (1998)

Deborah Cook: The Culture Industry Revisited: Theodor W. Adorno on Mass Culture in the Journal of Aesthetics and Art Criticism
Vol. 55, No. 3 (1997)

Pierre Bourdieu: The Field of Cultural Production: Essays on Art and Literature in the Journal of Aesthetics and Art Criticism
Vol. 54, No. 1 (1996)

Theodor Adorno: The Stars Down to Earth and Other Essays on the Irrational in Culture in Canadian Philosophical Reviews
Vol. XV, No. 3 (1995)

Jean-François Lyotard: Lessons on the Analytic of the Sublime in the Journal of Aesthetics and Art Criticism
Vol. LIII, No. 1 (1995)

Peter Kivy: The Fine Art of Repetition: Essays in the Philosophy of Music in Canadian Philosophical Reviews
Vol. XIV, No. 3 (1994)

Theodor Adorno: Quasi una Fantasia: Essays on Modern Music in Canadian Philosophical Reviews
Vol. XIII, No. 5 (1993)

John Zammito: The Genesis of Kant's "Critique of Judgment" in the British Journal of Aesthetics
Vol. 33, No. 4 (1993)

Andrew Benjamin: Art, Mimesis and the Avant-Garde: Aspects of a Philosophy of Difference in Surfaces
Vol. III, No. 1 (1993)

Lambert Zuidervaart: Adorno's Aesthetic Theory in the Journal of Aesthetics and Art Criticism
Vol. L, No. 3 (1992)

Fredric Jameson: Signatures of the Visible in the Journal of Aesthetics and Art Criticism
Vol. L, No. 3 (1992)

Jean-François Lyotard: The Postmodern Condition in the Journal of Comparative Literature and Aesthetics
Vol. VII, Nos. 1-2 (1984)