"The Experience of Art: The Essay in Visual Culture"
The Cambridge History of the American Essay, edited by Jason Childs and Christy Wampole (Cambridge University Press, forthcoming)
"Taste and Passion"
A Companion to Jane Austen and the Arts, edited by Joe D. Bray and Hannah Moss (Edinburgh University Press, forthcoming)
"The Timelessness of Christian Marclay's The Clock"
Phildoc (August 3, 2022)
"Schiller and the Deskilling of Aesthetic Education"
The Warwick Journal of Philosophy, Vol. 33 (2021)
"From Downton Abbey to Minneapolis: Aesthetic Form and Black Lives Matter"
Krisis: Journal for Contemporary Philosophy, Vol. 41 No. 2: 70 Years Minima Moralia (University of Groningen Press, 2021)
"Disinterest and an Overabundance of Subjectivity"
Kant’s “Critique of Aesthetic Judgment” in the 20th Century, edited by ... (De Gruyter, 2020)
"Que la faculté de juger esthétique ne doit jamais devenir une faculté humaine comme les autres"
Où en sommes-nous avec la Théorie esthétique d’Adorno?, edited by Christophe David et Florent Perrier (2019)
"Adorno, Theodor W."
The Bloomsbury Handbook of Literary and Cultural Theory (2019)
"The Enigma of Experience; Art and Truth Content"
Discipline Filosofiche, Vol. XXVI, No. 2 (2016): 61-77
"Adorno and the Big Chill"
Adorno and the Concept of Genocide, Brill, 2016
"Aesthetic Education, Human Capacity, Freedom"
The Aesthetic Ground of Critical Theory: New Readings of Benjamin and Adorno, 2015
"Photography and the Future"
Vision Anew: The Lens and Screen Arts, 2015
"Seeing French" The Visual World of French Theory by Sarah Wilson
Figurations in Art in America, June/July 2011
“What to Look For: The Struggle for Photographic Vision”
Making Sky: A Monograph with Catalogue Raisonné, Aris Kalaizis (2009): 59-63
“Heidegger, Adorno, and Mimesis”
Dialogue and Universalism, Vol. XIII, No. 11-12 (2003): 43-52
“Reflection and Pleasure in the Aesthetics of Marx Wartofsky”
Constructivism and Practice: Toward a Historical Epistemology, edited by Carol Gould (Rowman & Littlefield, 2003): 181-186
“Burke’s Sympathy for Taste”
Eighteenth-Century Studies, Vol. 35, No. 3 (2002): 379-393
“A Modern Critique of Modernism: Lukács, Greenberg, and Ideology”
Constellations, Vol. 7, No. 2 (2000): 178-196
“The Anatomy of Beauty”
A Parliament of Minds: Philosophy for a New Millennium, edited by Michael Tobias, et al. (SUNY Press, 2000): 232-245
“Lukács and the Essay Form"
New German Critique, No. 78 (1999): 183-192
“Adorno and Kant”
The Encyclopedia of Aesthetics, vol. 1 (Oxford University Press, 1998): 29-32
“Kant, Adorno, and the Social Opacity of the Aesthetic”
The Semblance of Subjectivity, (MIT Press, 1997): 237-257
“A Lack of Feeling in Kant: Response to Patricia Matthews”
Journal of Aesthetics and Art Criticism, Vol. 55, No. 1 (1997): 57-58
"The Movement of Mimesis: Heidegger's `Origin of the Work of Art’ in Relation to Adorno and Lyotard"
Philosophy & Social Criticism, Vol. 22, No. 4 (1996): 45-69
“(A) History of New Abstract Painting: Toward a Theory of Domestic Abstraction”
with Georgia Marsh, Art Criticism, Vol. 11, No. 1 (1996): 55-61
"The Kantian Sublime and the Nostalgia for Violence"
Journal of Aesthetics and Art Criticism,Vol. LIII, No. 3 (1995): 269-275
"The Concept of Sublimation in Adorno's Aesthetics"
The Aesthetics of the Critical Theorists, edited by Ronald Roblin (Edwin Mellen Press, 1990): 291-307
"The Postmodern Return, with a Vengeance, of the Master Subject"
Postmodernism/Jameson/Critique, edited by Douglas Kellner (Maisonneuve Press, 1989): 228-248
"Jameson and Habermas"
Telos, No. 75 (1988): 103-123
"Diligence and Industry, Adorno and the Ugly"
Canadian Journal of Political and Social Theory, Vol. 12, No. 3 (1988): 136-146
"Adorno's Aesthetics of Illusion"
Journal of Aesthetics and Art Criticism, Vol. XLIV, No. 2 (1985): 181-189
"Performance Art as Politicized Epistemology"
Art & Text, No. 11 (1983): 54-61
Charles H. Traub: Skid Row
A Reluctance to Text, introduction by Tom Huhn from
The Criminal Crowd and Other Writings by Scipio Sighele
Light & Fog: The Paintings of Karen Barth
Max Gimblett: The Sound of One Hand: Calligraphy Practice 1967-2014 (255MB)
Between Picture & Viewer: The Image in Contemporary Painting
Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant
The Cambridge Companion to Adorno 
The Semblance of Subjectivity: Essays in Adorno's Aesthetic Theory 
The Wake of Art: Criticism, Philosophy, and the Ends of Taste 
